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New Releases from Scherbacher Publishing: A Repertoire Blending Tradition, Musical Imagination, and Entertainment

Helmut Schwaiger
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New Releases from Scherbacher Publishing: A Repertoire Blending Tradition, Musical Imagination, and Entertainment

The Scherbacher publishing house is expanding its catalog for wind orchestras and wind ensembles with new works that cover various aspects of everyday ensemble life. In addition to polkas and marches, the catalog includes chorales, warm-up exercises, and concert pieces. This creates a diverse selection for ensembles ranging from beginner to advanced levels, particularly for works in difficulty levels 2 through 4.

Our collaborations with Edition Bergluft, Venivicta.de, and the Edi Sagert publishing house are particularly significant. They enable the publication of additional compositions and arrangements and expand our repertoire to include a variety of stylistic and pedagogical approaches. The selected new releases demonstrate that traditional wind music, modern light music, and program-based concert repertoire can be successfully combined.

Collaborations with Edition Bergluft, Venivicta.de, and Edi Sagert Publishing

Edition Bergluft publishes its works in Germany through the music publisher Scherbacher. The series is dedicated to down-to-earth brass band music and complements the publisher’s existing catalog with compositions that have a clear connection to traditional brass band culture. The focus is on musical clarity, practical instrumentation, and the music’s suitability for everyday use in club and concert settings.

The collaboration with Venivicta.de also contributes to expanding the catalog. Among the works published there are compositions by Martin Heinrichs. The Edi Sagert publishing house also enriches the catalog with new compositions and arrangements for wind orchestra. This provides conductors, music teachers, and ensemble leaders with a wider selection of works suitable for both daily rehearsals and public performances.

A Musical Fantasy with “Blue Continent”

Josef Bönisch ’s“Blue Continent”fantasy falls within the realm of programmatic concert music. The very title “fantasy” suggests a musical structure that is not exclusively shaped by traditional dance or march forms. Rather, the focus is on diverse soundscapes, musical tensions, and contrasting sections.

The educational value of “Blue Continent” lies in the combination of technical and musical work. The musicians must not only play with precision in terms of rhythm and intonation, but also develop different tonal qualities. The piece is therefore particularly well-suited for ensembles that wish to expand their expressive range and work on developing their own interpretations that go beyond simply playing the notes.

Josef Bönisch was active as a composer, arranger, and music educator in both the fields of wind chamber music and wind orchestras. This combination of compositional experience and teaching practice is significant for the classification of his works. “Blue Continent” can be included in a concert program or used in a competition, provided that the specific instrumentation and difficulty level of the respective orchestra are taken into account.

A Taste of Spain in “Cadiz”

“Cadiz”is a paso doble arranged by Hector Sevillanas. The stylistic foundation of the work is characterized by a distinctive rhythmic profile, striking accents, and an effective musical presentation. The Paso Doble provides the ensemble with a clear formal framework while also adding a distinctive touch of color to a concert program.

“Cadiz” is suitable for club concerts, open-air performances, and programs that call for not only concert repertoire but also an immediately accessible piece with a dance-like character. For beginner- to intermediate-level ensembles, this piece can serve as a valuable exercise for developing rhythmic confidence, ensemble playing, and stylistically appropriate articulation.

Narrative Tension in “The Legend of the White Woman”

Patrick Egge’s“The Legend of the White Woman”is part of the standard concert repertoire. The subtitle, “The Ghost of Hohenzollern Castle,” alludes to a narrative and regional context. The work thus draws on a specific legend and provides the ensemble with a musical framework for the story.

Of particular importance is the development of a cohesive musical arc. Recurring themes should remain recognizable and be integrated into the musical flow. At the same time, the performance must not be focused exclusively on creating an illustrative effect. Even without detailed knowledge of the legend, the musical form should remain understandable.

This work is suitable for concerts and competitions, especially when a program-based main piece is needed. The combination of plot, atmosphere, and musical composition can make it easier to approach the interpretation. The exact classification within levels 2 through 4 should be determined based on the score and the specific instrumentation.

Light Music with “We Will Entertain You”

The ’90s medley “We Will Entertain You”focuses on entertainment and familiarity. As a “Hits of the ’90s Medley,” the piece weaves together several well-known musical themes. The individual sections change relatively quickly and require the ensemble to execute the transitions smoothly.

The focus is not on the continuous symphonic development of a single theme, but rather on the effective combination of several musical elements. A consistent tempo, clear articulation, and balanced use of registers are therefore crucial. The individual themes must remain clearly distinguishable so that the musical climaxes can have their full effect.

This medley is highly practical for the ensemble’s day-to-day activities. It can be performed at club concerts, festive events, and social gatherings. At the same time, it offers the orchestra the opportunity to become familiar with different styles and sounds and to expand its musical versatility.

Polkas, marches, chorales, and warm-up exercises

In addition to the concert pieces mentioned, the new releases also include polkas, marches, chorales, and warm-up exercises. These genres serve different functions within the ensemble. Polkas and marches promote rhythmic confidence, articulation, and ensemble playing within clear formal structures. They are versatile in the day-to-day life of a band and are suitable for both concerts and public performances.

Chorales focus musical practice on intonation, sound balance, phrasing, and breath control. They provide an important foundation, especially for beginner and intermediate ensembles, as they help develop key musical skills within a manageable framework. A well-crafted choral arrangement can also help sharpen awareness of the ensemble’s overall sound.

Warm-up exercises serve a direct pedagogical purpose. They can be used at the beginning of a rehearsal, during section rehearsals, or as targeted preparation for a concert. The focus is not on spectacular musical effects, but rather on systematic work on intonation, tone quality, articulation, and ensemble playing.

Implications for Repertoire Planning

The works presented here address various needs in musical practice. “Blue Continent” is ideal for ensembles that wish to work on sound design and expressiveness. “Cadiz” adds a rhythmically striking and audience-pleasing element. “The Legend of the White Woman” combines a narrative concept with concert-style arrangement, while “We Will Entertain You”—an entertaining medley of 1990s hits—adds variety to the concert program.

When selecting a suitable piece, in addition to the specified level of difficulty, the ensemble’s instrumentation, rehearsal time, and musical goals should also be taken into account. For example, a piece at the beginner or intermediate level can help develop basic skills. In contrast, repertoire at the advanced level often places higher demands on tonal balance, understanding of form, and interpretive independence.

Conclusion

The new releases from Scherbacher Publishing combine traditional wind music, educational literature, concert works, and modern light music. Through collaborations with Edition Bergluft, Venivicta.de, and the publisher Edi Sagert, a diverse program is created for wind orchestras and wind ensembles of various skill levels.

Overall, these new releases offer numerous points of reference for concert planning and ongoing rehearsal work. They help conductors, music teachers, and ensemble leaders select repertoire specifically based on musical demands, educational value, and practical applications. (Helmut Schwaiger; this report was generated with the help of AI)

Obituary for Music Publisher Michael Nowotny

Helmut Schwaiger
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Obituary for Music Publisher Michael Nowotny

Michael Nowotny (1960–2026) helped shape the world of music publishing for decades. As a musician, publisher, and music engraver, he combined musical understanding with great technical accuracy and craftsmanship. His professional path was closely linked to G. Henle Verlag and Trio Edition, which he co-founded, where he took on numerous responsibilities at the intersection of editing, engraving, and practical music performance.

Nowotny did not view music publishing solely as a place for the production and distribution of sheet music. For him, the focus was on the quality of the musical edition and its reliability for the daily work of conductors, teachers, and ensembles. With a keen eye for musical context and great care, he worked on scores and parts whose clear layout and precise reproduction are of decisive importance for rehearsals, teaching, and concerts.

Musicians and colleagues honored him as a thoroughbred musician, publisher, and music engraver of exceptional standing. This assessment describes a man who not only mastered his work but performed it with a deep inner connection to music. Accuracy, reliability, and professional competence characterized his daily professional life. At the same time, his zest for life, his humor, and his optimism will be remembered as personal qualities that enriched the collaboration with him.

Michael Nowotny died in 2026 after a short, serious illness, just a few months before his planned retirement. His death is a painful loss for his family, his colleagues, and the professional world. At the same time, his work remains alive in the editions he helped create. Every carefully engraved score and every reliably accessible musical edition serves as a reminder of the contribution he made to the preservation and communication of music.

Michael Nowotny leaves behind a legacy that is not loud, but permanently effective. His work has helped make musical works accessible for future generations. For this, he deserves recognition, gratitude, and an honored memory.

Sheet music editions from Trio Edition

Arrangements by Michael Nowotny

Paul Huber Year 2026: Théo Rossier Wins with “Ab Uno”

Helmut Schwaiger
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Paul Huber Year 2026: Théo Rossier Wins with “Ab Uno”

The Paul Huber Year 2026 shines a spotlight on a composer who has had a lasting impact on Swiss wind music. To mark this occasion, the Music Commission of the Swiss Wind Music Association announced an international composition competition. The competition sought a new work for wind orchestra that further develops a theme from one of Paul Huber’s compositions in the spirit of a musical metamorphosis.[1]

The competition was won by Théo Rossier, a composer from Vaud born in 2002, with his composition“Ab Uno.”The world premiere is scheduled for Sunday, September 13, 2026, as part of the gala concert for the SWISS WINDBAND AWARD Conducting Competition at the Kurtheater in Baden. The work will be performed by the Schweizer Armeespiel Symphonic Wind Orchestra in the presence of the composer.[2]

Paul Huber and His Contribution to Swiss Brass Music

Paul Huber lived from 1918 to 2001 and is considered one of the most influential Swiss composers of the 20th century. His work continues to hold special significance for the Swiss wind music scene to this day. The Paul Huber Year commemorates, in particular, the fact that 2026 will mark the 25th anniversary of his death.[3]

The tribute is not limited to the performance of historical works. Rather, the aim is to carry on Huber’s musical vision from a contemporary perspective. The composition competition thus bridges the past and the present: Contemporary composers were invited to engage with Huber’s music and develop an original composition based on it.

The call for submissions allowed participants a certain degree of creative freedom. The work was to be suitable for a top-tier or first-category wind orchestra. The duration and specific classical form could also be chosen freely. Works with a narrative plot, however, were not permitted.[1]

Eleven submissions from across Europe

Eleven composers from across Europe participated in the competition. The submitted works were judged anonymously. A jury of experts—comprising Emilie Chabrol, Stéphane Delley, and Felix Hauswirth —was responsible for the evaluation. The jury members first evaluated the compositions independently of one another based on the specified criteria.[2]

At the joint session,“Ab Uno”made the strongest impression on the jury. The decision was made before it was known who had composed the piece. Thus, Rossier’s composition was not selected based on the composer’s name or career to date, but rather on its musical quality and the compelling execution of the competition’s requirements.[4]

Théo Rossier: Composer and Conductor

Théo Rossier was born on June 11, 2002, in the canton of Vaud. He began composing at the age of 14 and was initially self-taught. Later, he took courses in harmony at the Lausanne Conservatory as part of the wind orchestra conducting program. He also earned a bachelor’s degree from the Bern University of the Arts.[5]

Rossier has previously gained experience composing for brass bands and wind orchestras. In 2022, he won first prize at the European Composition Competition for Brass Bands with“Stendhal’s Syndrome.”[5] His work thus combines composition with practical experience in wind orchestra music and conducting.

The Musical Concept Behind “Ab Uno”

The title “Ab Uno” can be roughly translated as “from one” or “out of one.” The title thus refers to the compositional starting point of the work: Rossier takes up the opening measures of Paul Huber’s “Adagio for Solo Cello.”[4]

However, “Ab Uno” does not simply copy the model. The theme is used as a musical seed in terms of rhythm and melody. As the composition unfolds, it appears in various forms and is integrated into changing sonic and musical contexts. An original idea thus gives rise to an independent, multi-layered progression.[4]

This approach is in line with the fundamental concept of the competition. In this context, “metamorphosis” does not simply mean the adaptation or orchestration of an existing theme. The musical material is transformed, further developed, and placed in new contexts. The connection to Paul Huber remains recognizable, while Rossier simultaneously develops his own musical language.

The jury particularly highlighted the clear and coherent structure of “Ab Uno.” The innovative musical language and the nuanced, colorful instrumentation were also recognized. In this way, Rossier uses the sonic possibilities of the wind orchestra not only to effectively present the theme, but also as an independent compositional device.[4]

Memory as a Creative Process

The Paul Huber Year 2026 demonstrates how a musical tribute can go beyond a mere retrospective. While Paul Huber’s work serves as the historical point of reference, the competition also looks toward the future of wind orchestra repertoire.

“Ab Uno” is a composition that draws on a specific work by Huber yet goes beyond mere quotation. Théo Rossier transports the source material into a new sonic and structural context. The world premiere in September 2026 will thus not only be a tribute to Paul Huber, but also an example of how contemporary composition can productively build upon tradition.

Sources

[1] Swiss Wind Music Association —“Call for Entries: Paul Huber Year 2026 Composition Competition”— 2025 —

[2] Swiss Wind Band Association / Unisono —“Paul Huber Year 2026: Théo Rossier Wins the Composition Contest”— 2026 —

[3] Swiss Wind Band Association —“That Was the EMF 2026”— 2026

[4] BRASS BAND NEWS —“Paul Huber Year: Théo Rossier Wins the Composition Contest”— 2026 —

[5] BRASS BAND NEWS —“Paul Huber Year: Théo Rossier Wins the Composition Competition”— “About the Composer” section — 2026

[6] Théo Rossier —“Ab Uno” and event information regarding the world premiere — 2026

(This article was generated by AI)

Dolly Parton – A Legend Who Filled the World with Music and Heart

Helmut Schwaiger
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Dolly Parton – A Legend Who Filled the World with Music and Heart

The voice of the people has fallen silent

Dolly Parton, one of the most influential figures in music history, has passed away at the age of 80. With her passing, the world has lost not only an exceptional artist, but also a woman who touched millions through her music, her humor, and her unwavering humanity. Her legacy extends far beyond the boundaries of country music—she was an icon, a philanthropist, and a voice for the underprivileged.

A Life Devoted to Music

Born on January 19, 1946, in Pittman Center, Tennessee, Dolly Parton grew up in modest circumstances. But her voice and talent were extraordinary from the very beginning. Even as a child, she sang in church and on local radio before moving to Nashville at age 18 to pursue her dream. There, she began a career that made her one of the most successful artists of all time.

In the 1960s, she enjoyed her first successes as a songwriter before becoming world-famous with hits such as “Jolene” (1973) and “I Will Always Love You” (1974). The latter, which later became even more popular thanks to Whitney Houston’s rendition, remains one of the best-selling songs in history to this day. Dolly Parton’s music has always been characterized by honesty, emotion, and a deep connection to her roots. She wrote not only about love and heartbreak, but also about people’s everyday lives, their struggles, and their dreams.

With over 3,000 songs written, 25 No. 1 hits, and countless awards—including 11 Grammy Awards—she shaped country music like few others. But her influence wasn’t limited to one genre: she collaborated with pop, rock, and folk artists, conquered Broadway with “9 to 5: The Musical,” and even captivated a young audience with her role in “Hannah Montana.”

More Than Just a Singer: A Humanist and Visionary

Dolly Parton was not only a musical legend, but also a woman with a big heart. Her social activism was legendary: Through her “Imagination Library,” she promoted reading skills among children worldwide, and during the pandemic, she donated millions toward the development of the Moderna vaccine. She championed education, animal welfare, and women’s rights—always with humility and without fanfare.

Her personality was just as radiant as her talent. With her striking appearance, sharp wit, and ability to fill any room with warmth, she became a symbol of authenticity. “It costs a lot of money to look this cheap,” she often joked about her glamorous image—but behind the glitz was a woman who never forgot her roots.

A Legacy That Endures

Dolly Parton’s music will live on—in the hearts of her fans, on stages around the world, and in the stories she has told. She was a trailblazer who broke down barriers, a source of comfort in difficult times, and a beacon of joy. For many, her song “Light of a Clear Blue Morning” will remain a symbol of their own hope—just as she herself was for so many.

The world mourns the loss of an artist who touched people not only with her voice but also with her humanity. Yet, as she herself said, “I don’t see myself as a star, but as someone who simply sings and tells stories.” And these stories will stay with us forever.

Dolly Parton – January 19, 1946, to August 27, 2026 (AI)

BDMV Music Commission Meets: 111 New Works Added to the Competition Repertoire List!

Helmut Schwaiger
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BDMV Music Commission Meets: 111 New Works Added to the Competition Repertoire List!

At this year’s conference of the Federation of German Music Associations (BDMV), 111 new works were added to the competition repertoire list. This update marks a significant step for wind bands in Germany, as the list serves as a key reference for competition and review performances. The new works are now available in the BDMV database and on the musicainfo.net platform, and are accessible to both members and non-members.

The BDMV Conference: An Overview

The focus was on expanding the list of competition pieces, which were selected according to strict criteria. These works cover a wide range of styles and levels of difficulty, making them a valuable resource for wind orchestras when planning their repertoires.

The New Works: Diversity and Quality

The 111 new works include compositions for various instrumentations and difficulty levels. They have been carefully reviewed and offer a mix of traditional and modern styles. The updated competition repertoire list is available to anyone interested via the link in the BDMV list. The following resources are available via the musicainfo.net platform: Each piece is accompanied by extensive information, including:

  • Quick Facts: Concise overviews of composers, year of composition, and instrumentation.
  • Synopses: Summaries of the musical structure and distinctive features.
  • Work Reviews: Technical analyses and evaluations by experts.
  • Scores: Complete sheet music available for download or order.
  • Audio samples and videos: Audio clips and visual presentations to assist with selecting works.
  • Radio Tracks: Exclusive recordings (available only to members of www.musicainfo.net) that can be accessed via the musicainfo.net web radio.
  • Repertoire and Selection Lists: Overviews for quick reference.
  • Publisher Links: Direct links to the publishers where the sheet music is available.
  • Related Links: Links to external sources such as Wikipedia or the Wind Repertory Project, and others for further research.

Benefits for Users

Expanding the list of scoring games offers numerous advantages:

  • Program Planning: Conductors are provided with an up-to-date and diverse selection of works for their concert programs.
  • Quality Assurance: The works were reviewed and evaluated by experts, ensuring a high level of musical quality.
  • Easy Access: Sheet music can be ordered directly from the publishers or from one of our partners in Germany.
  • Flexibility: Both members and non-members benefit from the extensive resources relevant to musical practice.

Conclusion

The addition of 111 new works to the BDMV competition repertoire list marks an important milestone for the wind music scene. The inclusion of these works in the musicainfo.net database underscores the BDMV’s commitment to providing conductors, music teachers, and active musicians with a solid and diverse foundation for their work. Take advantage of these new resources to expand your repertoire and take your musical projects to the next level.

For more information and to use the database, visit musicainfo.net.

Parov Stelar – Contemporary Music for Wind Orchestra: Florian Moitzis’s “Potpourri” Arrangement as a Milestone in Adaptation

Helmut Schwaiger
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Parov Stelar – Contemporary Music for Wind Orchestra: Florian Moitzis’s “Potpourri” Arrangement as a Milestone in Adaptation

Austrian musician and producer Marcus Füreder, better known as Parov Stelar, has defined his own genre—electro swing—with his unique blend of swing, jazz, and electronic beats. His internationally acclaimed works, such as “Booty Swing” and “Catgroove,” blend classic jazz samples with modern club sounds and have earned him a loyal fan base worldwide. His influence was particularly evident in the summer of 2026, when he performed a sold-out open-air concert at Toscanapark Gmunden as part of the Salzkammergut Festwochen. Around 5,000 attendees celebrated the artist, whose music not only invites people to dance but also breaks down musical boundaries.

But Parov Stelar’s music isn’t just successful on stage—it also inspires arrangements for other ensembles. An outstanding example is the medley arrangement by arranger Florian Moitzi for high school wind ensembles, published in 2026 by OrchestralArt Music Publications. This approximately 7 1/2-minute work demonstrates how electronic music can be successfully adapted for wind orchestras and highlights the challenges and opportunities involved.

Florian Moitzis’s Potpourri Arrangement: Structure and Musical Requirements

Florian Moitzi, himself a saxophonist and experienced composer for wind orchestras, has created a challenging project for advanced ensembles with his arrangement“A Tribute to Parov Stelar.”The medley begins with the track “All Night” in B-flat major and moves through “Catgroove” and “Black Lilies”—also in B-flat major and at the same tempo—to a modulation to E-flat major and a tempo change in “Brass Devil.” The piece concludes with the world-famous hit “Booty Swing.” The choice of keys and tempos allows for a smooth transition between the pieces, creating a cohesive soundscape that preserves the character of the originals.

Interpretive and Technical Challenges

Adapting electronic music for wind ensembles poses particular challenges in terms of rhythm, tonal balance, and interpretation:

  • Rhythmic Precision: Electro-swing thrives on precise grooves and syncopated rhythms. Wind ensembles must accurately reproduce this rhythmic complexity to preserve the characteristic “drive” of the original pieces.
  • Sound balance: Electronic sounds and synthesizer sounds must be recreated through nuanced instrumentation. Saxophones, trumpets, and trombones are particularly important here for producing the characteristic timbres.
  • Dynamics and Articulation: The interpretation requires a keen sense of dynamic contrasts and articulatory nuances in order to convey the vitality of the electronic source material.

Moitzis’ arrangement is not merely a technical exercise, but an artistic statement: It demonstrates how contemporary musical styles can be integrated into wind orchestra repertoire without losing their original character.

Significance for Wind Orchestra Repertoire

Florian Moitzi’s potpourri arrangement is a significant contribution to modern wind orchestra literature. It demonstrates that even music with electronic influences can be successfully adapted for traditional ensembles—provided the arrangements are well thought out and respect the distinctive characteristics of both genres. For conductors and musicians, the work offers a welcome change from the classical repertoire and opens up new opportunities to inspire audiences of all ages alike.

Furthermore, the arrangement underscores the relevance of Parov Stelar’s music to the wind ensemble scene. His compositions, which already bridge the gap between genres, reach an even wider audience through such arrangements and inspire ensembles worldwide to explore contemporary styles.

Conclusion: A successful experiment

Florian Moitzis’ “A Tribute to Parov Stelar” is more than just an arrangement—it’s a successful experiment that demonstrates how electronic music and the sound of a wind orchestra can blend harmoniously. The arrangement challenges the musicians, but rewards them with a rousing and varied concert piece that is impressive both technically and musically. For wind orchestras looking to expand their repertoire with modern influences, this medley is an absolute must-have. .

Sources

CD Release: Cheval de feu – A Musical Masterpiece by the Royal Symphonic Band of the Belgian Guides, Conducted by Michel Tilkin

Helmut Schwaiger
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CD Release: Cheval de feu – A Musical Masterpiece by the Royal Symphonic Band of the Belgian Guides, Conducted by Michel Tilkin

The CD *Cheval de feu* (Masterpieces Vol. 19) by the Royal Symphonic Band of the Belgian Guides, conducted by Michel Tilkin, is an impressive collection of contemporary and classical works for symphonic wind orchestra. The album brings together compositions by internationally renowned composers and offers a diverse listening experience—ranging from powerful overtures to delicate, emotional pieces. The recording highlights the orchestra’s outstanding musical quality and its role as an ambassador for Belgian and international wind music.

The Orchestra: Royal Symphonic Band of the Belgian Guides

The Royal Symphonic Band of the Belgian Guides was founded in 1832 on the initiative of King Leopold I and is one of the oldest and most renowned military bands in the world. Originally conceived as the Belgian monarch’s personal orchestra, the ensemble has evolved over the centuries into a flagship of Belgian wind music.

The orchestra consists of 70 highly qualified musicians who were trained at Belgian conservatories, as well as a trumpet section comprising 13 additional top-tier musicians. It is known for its artistic excellence, its innovative programs, and its international presence. Regular concert tours to Europe, North America, and Asia, as well as performances at renowned festivals, have earned the orchestra worldwide recognition.

A particular focus of the ensemble is promoting Belgian composers and collaborating with international artists. The orchestra’s discography includes numerous recordings featuring both traditional and modern works for wind orchestra. With *Cheval de feu*, the orchestra continues this tradition and once again demonstrates its technical precision and musical expressiveness.

The Conductor: Michel Tilkin

Michel Tilkin is an internationally sought-after conductor and music educator with an impressive career. He studied at renowned music conservatories and gained early experience conducting various orchestras, including the Thuringian Philharmonic Orchestra of Gotha and the Royal Bangkok Symphony Orchestra.

Tilkin is known for his clear and precise conducting technique, which enables him to interpret both classical and modern works with great expressiveness. His work with young musicians and his commitment to fostering the next generation of musicians are also defining features of his artistic practice. As conductor of the Royal Symphonic Band of the Belgian Guides, he leads the orchestra with dedication and expertise, contributing significantly to its international reputation.

The works on the CD *Cheval de feu*

The CD *Cheval de feu* presents a diverse selection of compositions that showcase the wide range of the symphonic wind orchestra. Here is an overview of the pieces included:

  1. Oxygen! – Hardy Mertens A dynamic and energetic work that captivates with its rhythmic complexity and modern musical language. Mertens succeeds in creating an atmospheric intensity that captivates the listener from the very first note.
  2. Overture fantastique – James M. Stephenson Stephenson, a celebrated American composer, has created a colorful and evocative work with this overture. The composition captivates with its melodic variety and orchestral brilliance.
  3. Cheval de feu – Frédéric Unterfinger The title track of the CD is a dramatic and expressive work that captivates with its powerful themes and virtuosic instrumentation. Unterfinger succeeds in creating a fiery and stirring soundscape.
  4. Phèdre: Overture – Jules Massenet (Arrangement: José Schyns) The overture to Massenet’s opera *Phèdre* was arranged for wind orchestra by José Schyns. The piece captivates with its lyrical beauty and symphonic depth.
  5. Ancestral Roots – Ricardo Silva A work that explores the composer’s cultural roots. Silva combines traditional sounds with modern compositional techniques, creating a fascinating sonic journey.
  6. Remembrance – Christopher Marshall A thoughtful and moving piece that commemorates the victims of wars and conflicts. Marshall’s composition is characterized by emotional depth and delicate instrumentation.
  7. Metamorphōsis – Robin Moll Moll’s work explores transformation and development and captivates listeners with its structural clarity and expressive musical language.
  8. The Virtues of Mankind – Rossano Galante Galante’s composition is a tribute to human virtues such as courage, compassion, and perseverance. The work captivates with its optimistic tone and catchy melodies.

Conclusion: A must-have for brass band enthusiasts

The CD *Cheval de feu* by the Royal Symphonic Band of the Belgian Guides, conducted by Michel Tilkin, is an outstanding production that offers both musical diversity and technical perfection. The combination of classical arrangements and modern compositions makes the album an essential listening experience for fans of wind music.

Anyone looking for an inspiring and varied CD for symphonic wind orchestra will find *Cheval de feu* well worth the listen. The album is not only a testament to the orchestra’s artistic quality, but also a valuable contribution to contemporary wind music.

New Releases for 2026 from Rundel Publishing: Highlights for Wind Orchestras

Helmut Schwaiger
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New Releases for 2026 from Rundel Publishing: Highlights for Wind Orchestras

In 2026, the music publisher Rundel will once again present a diverse program of new releases for wind orchestras. From powerful fanfares to timeless pop songs and festive Christmas arrangements, the publisher offers works for various levels of difficulty and occasions. The most important new releases are presented below.

1. Cinematic Soundscapes: “Flight of the Silverbird”

The epic work “Flight of the Silverbird” by Two Steps from Hell, composed by Thomas Bergersen, will be available in 2026 in two arrangements:

  • Intermediate Level (Lars Ericksen): This arrangement is ideal for wind orchestras at an intermediate skill level. It preserves the dynamic energy of the original and provides an accessible interpretation of the film’s musical language.
  • Upper Level (Johan de Meij): For advanced ensembles, Johan de Meij offers a complex arrangement that requires technical precision and musical expressiveness. Particularly suitable for concert programs focusing on modern film music.

Both arrangements are a valuable addition to repertoires seeking dramatic and rousing pieces.

More Arrangements by Thomas Bergersen and “Two Steps from Hell“

2. Pop Classics Reimagined: “Total Eclipse of the Heart”

The evergreen classic“Total Eclipse of the Heart”(JimSteinman/Bonnie Tyler) was arranged for wind orchestra by Thiemo Kraas. The piece has been available since July 2026 and impresses with its successful balance between a melody faithful to the original and instrumentation well-suited to wind instruments. Ideal for concerts with a popular feel and emotional depth.

3. Festive Fanfare and Anthem: “Sound in Union”

“Sound in Union”by Thomas Asanger is a powerful composition that begins as a fanfare, transitions into a lyrical middle section, and concludes with a rousing finale. The work was composed for intermediate-level ensembles and is particularly well-suited for festive occasions such as anniversaries or official events. Its clear structure and catchy melodies make it a versatile piece.

4. Christmas Repertoire: Tradition and Modernity

Rundel is expanding its 2026 Christmas repertoire with several new arrangements:

  • “Four Christmas Colors” and “Advent Light“: Both works offer a modern interpretation of traditional Christmas music and are well-suited for contemplative concerts during the Advent season.
  • “Christmas in Ireland”(James L. Hosay): A concert piece that combines Irish Christmas carols such as “Once in Royal David’s City” and “Wexford Carol” with lively rhythms. Ideal for ensembles looking to incorporate international sounds into their repertoire.
  • “27 Christmas Songs”(Siegfried Rundel): A collection of traditional Christmas carols in various vocal ranges, suitable for mixed ensembles and ideal for both concerts and Advent church services.

5. Strauss Anniversary: Timeless Waltzes for Wind Orchestra

To mark the 200th anniversary of Johann Strauss’s birth, Rundel presents a Strauss collection featuring 15 arrangements. The pieces demonstrate how the music of the “Waltz King” can be adapted for wind orchestra—from lively polkas to elegant waltzes. An ideal addition to classically oriented programs.

Conclusion: Variety for Every Concert Program

Rundel Publishing’s 2026 new releases offer wind orchestras a wide range of works for various occasions and levels of difficulty. Whether cinematic soundscapes, popular pop songs, festive fanfares, or contemplative Christmas music—this selection allows for creative and varied program planning.

Composer of the Summer: Ruud Bos—A Life Devoted to Music

Helmut Schwaiger
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Composer of the Summer: Ruud Bos—A Life Devoted to Music

Ruud Bos (1936–2023) was a Dutch composer, pianist, and conductor who shaped Dutch popular music for over six decades. Born in Amsterdam, he began composing at the age of eight. After studying at the Amsterdam Conservatory and the Muziekschool van Toonkunst in Bussum, he worked in radio, television, and theater.

In the Benelux countries, Ruud Bos is an indispensable musical figure, but in Central Europe and America he is known mainly only to insiders. The reason we’ve chosen him as our “Composer of the Month” isn’t just because of the musical quality of his compositions, but also because he’s known in his home country as the “resident composer” of the theme park “De Efteling.” He has composed the music for many of the attractions there. That is the second reason for his selection: this summer, many of you will be visiting various amusement parks in Europe or America with your children. It is precisely this connection that led to his selection as “Composer of the Summer.”

The Role of Amusement Parks in Music: A Look at De Efteling and Ruud Bos

Amusement parks are not only places of entertainment, but also important platforms for combining music, emotions, and experiences. Here, music sets the mood, enhances visitors’ immersion, and supports the thematic design of the attractions. Especially in German and Dutch amusement parks, music is used strategically to bring attractions to life and offer visitors an unforgettable experience.

Amusement Parks as a Source of Inspiration for Music

Soundtracks in amusement parks are often composed specifically to enhance the atmosphere of each attraction. Whether it’s epic orchestral scores for roller coasters or gentle melodies for fairy-tale worlds—music is a key element that makes a visit a special experience.

De Efteling: A Theme Park with a Musical Heritage

Efteling, which opened in the Netherlands in 1952, is one of the largest and best-known amusement parks in Europe. Originally conceived as a fairy-tale forest, the park has evolved into a multifaceted destination that combines fairy tales, myths, and modern rides.

Among the most famous attractions are the Fairytale Forest, featuring classic fairy tales such as *Sleeping Beauty* and *Little Red Riding Hood*; the spectacular wooden roller coaster *Joris en de Draak*; the whitewater ride and roller coaster *De Vliegende Hollander*; and the enchanting dark ride *Droomvlucht* (Dream Flight). Other highlights include Villa Volta, a whimsical villa filled with optical illusions; Fata Morgana, a boat ride through an oriental fairy-tale world; and Spookslot (Haunted Castle), a spooky attraction featuring a unique musical score.

Efteling uses music strategically to enhance the atmosphere of its attractions. Of particular note is the water show *Efteling Symphonica*, a musical journey through time that rounds out the visit. The music at Efteling is often composed specifically for the attractions and plays a major role in the overall experience.

Wind Band Arrangements of Efteling Music

Following the death of Ruud Bos in 2023, the Stichting Telkens Weer Ruud Bos Foundation was established to preserve his musical legacy. As part of this project, his compositions for De Efteling were arranged for wind orchestra. The arrangements were created by renowned arrangers such as Henri Gerrits, Anton Weeren, and Jasper Staps and published by Molenaar Verlag in 2025.

Among his most important works are:

These arrangements enable wind orchestras around the world to perform Ruud Bos’s magical music live, thereby bringing the De Efteling experience to audiences outside the park.

Ruud Bos and His Musical Work

Bos composed not only for De Efteling, but also for films and plays. His works are characterized by a unique blend of orchestration, synthesizers, and traditional instruments. For *Droomvlucht* and *Villa Volta* in particular, Bos used double-stopped instruments to create a particularly expansive sound. The music was often recorded in London with members of the London Philharmonic Orchestra, which gave the works an international quality.

Conclusion: Music as the Heart of the Experience

Amusement parks like De Efteling demonstrate how music serves not just as background but as a central element of the experience. Ruud Bos’s compositions are an outstanding example of how music makes attractions unforgettable. The new wind orchestra arrangements now make it possible to experience this music in concert halls and at public performances as well—a testament to the timeless quality of Bos’s work.

Christmas is just around the corner—but that’s not all: Why brass bands start thinking about Christmas as early as summer

Helmut Schwaiger
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Christmas is just around the corner—but that’s not all: Why brass bands start thinking about Christmas as early as summer

The brass band scene has its own rhythm—and for it, Christmas begins long before the first Sunday of Advent. While others are still enjoying the summer sun, conductors and musicians are already planning the festival of festivals. But why is that, exactly? And what makes this year’s new releases from a Belgian publisher so special?

Christmas in Summer: A Must-Have for Wind Ensembles

In the world of brass band music, Christmas isn’t a spontaneous event—it’s a strategically planned highlight. Sheet music is ordered as early as February; new releases appear in the catalog during the summer—and by fall at the latest, the intensive rehearsal phase begins. The reason: The demand for Christmas pieces is enormous, and those who plan early not only secure the best arrangements but also ensure they have enough time for a perfect performance.

A Belgian publisher understands this dynamic better than almost anyone else. For decades, it has been a fixture in the wind music scene and offers a wide range of new releases every year—from classic Christmas carols to modern arrangements of evergreens. This year, too, the publisher is once again offering a particularly diverse selection.

New Releases: From “A Classical Christmas Fantasy” to “Thank God It’s Christmas”

Christmas Classics with a New Sound

If you’re looking for timeless Christmas tunes, you’ll find them at musicainfo.net. Highlights include:

  • “A Classical Christmas Fantasy” – A medley-style arrangement that combines traditional Christmas carols with classical influences. Contents: A Classical Christmas Fantasy!; Joy to the World; The First Noel; Hark! The Herald Angels Sing; Gloria in Excelsis Deo;
  • “Carol of the Bells” – The beloved choral classic in a rousing arrangement for wind orchestra, based on the Ukrainian folk song “Shchedryk.”
  • “Christmas for Kids” – A collection of four Christmas songs for youth orchestras, featuring “Last Christmas,” “Happy Xmas (War Is Over),” “Driving Home for Christmas,” and “Feliz Navidad”
  • “Santa, Can’t You Hear Me” (Kelly Clarkson & Ariana Grande) – A modern Christmas hit that wins you over with its catchy melody and swinging arrangement.
  • “Thank God It’s Christmas” (Queen) – This arrangement transforms Queen’s original rock instrumentation into a rich, brass-driven version.

Evergreens for Every Occasion

But the new releases aren’t just Christmas music. The lineup also includes arrangements of pop and rock classics—perfect for concerts that extend beyond the holiday season:

  • “Billie Jean” (Michael Jackson) – A timeless hit that takes on new life in this brass band arrangement.
  • “Daddy Cool” (Boney M.) – A rousing disco classic that’s guaranteed to get the party started.
  • “Despacito” (Luis Fonsi) – The Latin American hit in a rousing arrangement for wind orchestra.
  • “Sweet Caroline” (Neil Diamond) – A crowd favorite that works with any cast.
  • “Sailing” (Rod Stewart) – An energetic ballad that serves as a moment of calm in any concert.

This diversity makes musicainfo.net an indispensable partner for wind orchestras that want to create a varied repertoire that resonates with their audience.

What Sets This Belgian Publisher Apart: Quality and Exclusivity

Professional expertise and precision craftsmanship

The publisher’s arrangements and compositions are distinguished by their high musical quality. The arrangers are all musicians and conductors themselves. Their arrangements are not only sonically compelling but also practical—they take into account the unique characteristics of wind orchestras and ensure an optimal balance among the instrumental sections.

Exclusive Distribution: Available only as a download

One unique feature of this publisher is its distribution model: The sheet music is available exclusively as a download via musicainfo.net or is offered through select retailers.

Conclusion: Plan early, stay creative

If you want to succeed in wind ensemble music, early planning is essential. musicainfo.net supports conductors and musicians with a wide range of high-quality arrangements—from Christmas carols to modern classics. Whether you’re planning a traditional Christmas concert or want to enrich your repertoire with popular pieces, you’ll find the right sheet music at musicainfo.net—long before the first snow falls.

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