{"id":8067,"date":"2022-11-03T12:28:28","date_gmt":"2022-11-03T11:28:28","guid":{"rendered":"https:\/\/musicainfotemp.kinsta.cloud\/blog-site\/2022\/11\/03\/tomithy-reynish-developpement-dun-repertoire-blaeser-en-uk\/"},"modified":"2023-01-08T18:07:13","modified_gmt":"2023-01-08T17:07:13","slug":"tomithy-reynish-developpement-dun-repertoire-blaeser-en-uk","status":"publish","type":"post","link":"https:\/\/musicainfo.blog\/fr\/tomithy-reynish-developpement-dun-repertoire-blaeser-en-uk\/","title":{"rendered":"Tomithy Reynish : d\u00e9veloppement d&#8217;un r\u00e9pertoire pour instruments \u00e0 vent en UK"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:18px\"><strong>Nous vivons un \u00e2ge d&#8217;or pour les fanfares. Jamais depuis le XVIIIe si\u00e8cle autant de compositeurs n&#8217;ont \u00e9crit pour les instruments \u00e0 vent, et jamais depuis cette grande \u00e9poque classique autant d&#8217;ensembles d&#8217;harmonie ou d&#8217;instruments \u00e0 vent n&#8217;ont \u00e9t\u00e9 actifs, tant dans le domaine civil que militaire. L&#8217;int\u00e9r\u00eat s&#8217;est largement d\u00e9plac\u00e9 des cours princi\u00e8res et des terrains d&#8217;exercice vers les salles de musique, les \u00e9coles et les universit\u00e9s, mais la musique pour instruments \u00e0 vent est plus vivante en ce si\u00e8cle qu&#8217;en aucun autre depuis l&#8217;Empire austro-hongrois. Cependant, l&#8217;attitude g\u00e9n\u00e9rale du monde musical \u00e0 l&#8217;\u00e9gard de la musique pour instruments \u00e0 vent consiste encore \u00e0 la rel\u00e9guer au rang de &#8220;musique utilitaire&#8221;, la mieux adapt\u00e9e \u00e0 la formation, au divertissement et aux c\u00e9r\u00e9monies.<\/strong><\/p>\n\n<div class=\"wp-block-uagb-image uagb-block-4a636d95 wp-block-uagb-image--layout-default wp-block-uagb-image--effect-static wp-block-uagb-image--align-center\"><figure class=\"wp-block-uagb-image__figure\"><img decoding=\"async\" src=\"https:\/\/fr.musicainfo.blog\/wp-content\/uploads\/2022\/11\/Making_it_Better.jpg\" alt=\"\" class=\"uag-image-8050\" width=\"500\" height=\"705\" title=\"\" loading=\"lazy\" \/><\/figure><\/div>\n\n<p class=\"wp-block-paragraph\">Timothy Reynish a \u00e9tudi\u00e9 le cor avec Aubrey Brain et Frank Probyn. Il a \u00e9t\u00e9 musicologue \u00e0 Cambridge, a travaill\u00e9 avec Raymond Leppard et Sir David Willcocks et a occup\u00e9 des postes importants dans le domaine du cor au Northern Sinfonia, au Sadler&#8217;s Wells Opera (aujourd&#8217;hui ENO) et au City of Birmingham Symphony Orchestra ; dans les ann\u00e9es 70, il a fond\u00e9 \u00e0 Birmingham le Birmingham Sinfonietta de membres du CBSO et a donn\u00e9 une s\u00e9rie de concerts contemporains ; il a \u00e9galement dirig\u00e9 les London Contemporary Players et a \u00e9t\u00e9 chef invit\u00e9 \u00e0 l&#8217;Amsterdam Sinfonia.<\/p>\n\n<p class=\"wp-block-paragraph\">En tant que musicologue, Timothy Reynish a r\u00e9dig\u00e9 avec <a href=\"https:\/\/fr.musicainfo.net\/detail.php?kat=7&amp;artnr=97000339\">Making It Better<\/a> un compendium de la musique anglaise pour instruments \u00e0 vent, qui peut \u00eatre un document utile pour toute programmation. Des informations compens\u00e9es sur le d\u00e9veloppement de la musique pour instruments \u00e0 vent au Royaume-Uni, sur les compositeurs anglais et leurs \u0153uvres, ainsi que des aper\u00e7us d&#8217;\u0153uvres donnent une image compl\u00e8te de la musique pour instruments \u00e0 vent en Angleterre. Des tableaux d&#8217;ouvrages recommand\u00e9s par diff\u00e9rentes institutions cl\u00f4turent le compendium.<\/p>\n\n<p class=\"wp-block-paragraph\">Voici un aper\u00e7u des ouvrages recommand\u00e9s :<\/p>\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/fr.musicainfo.net\/ergebnis.php?kat=2&amp;uk1=1&amp;vol=williamReynishCommissioning\">William Reynish Commissioning Project 2001-2021<\/a><\/p>\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/fr.musicainfo.net\/ergebnis.php?kat=2&amp;uk1=1&amp;vol=royalNorthernCollege\">Royal Northern College of Music Dommissions &amp; Premieres 1980-2005<\/a><\/p>\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/fr.musicainfo.net\/ergebnis.php?kat=2&amp;uk1=1&amp;vol=BASBWECommissions\">BASBWE Commissions<\/a><\/p>\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/fr.musicainfo.net\/ergebnis.php?kat=2&amp;uk1=1&amp;vol=MusicCollegesConsortium\">Music Colleges Consortium<\/a><\/p>\n\n<p class=\"has-text-align-center wp-block-paragraph\">Le compendium peut \u00eatre command\u00e9 directement aupr\u00e8s de l&#8217;\u00e9diteur :<\/p>\n\n<p class=\"has-text-align-center wp-block-paragraph\">Tim Reynish, 62 Moss Lane, Leyland PR25 4SH,<\/p>\n\n<p class=\"has-text-align-center wp-block-paragraph\">E-Mail <a href=\"mailto:timreynish@tiscali.co.uk\">timreynish@tiscali.co.uk<\/a><\/p>\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"http:\/\/www.timreynish.com\/\">www.timreynish.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Compendium sur la musique anglaise et les compositeurs<\/p>\n","protected":false},"author":512,"featured_media":8059,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[133,108,170,140],"tags":[1093,1403,1404],"class_list":["post-8067","post","type-post","status-publish","format-standard","has-post-thumbnail","category-nouvelles-publications","category-preconisations","category-recueil-nouvel","category-recueil","tag-angleterre","tag-compendium-fr","tag-reynish-fr"],"uagb_featured_image_src":{"full":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"thumbnail":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish-150x150.jpg",150,150,true],"medium":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"medium_large":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"large":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"1536x1536":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"2048x2048":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"td_0x420":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"td_80x60":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",57,60,false],"td_150x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",150,159,false],"td_218x150":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",142,150,false],"td_300x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"td_324x400":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"td_485x360":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"td_696x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"td_1068x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false],"td_1920x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/11\/TimReynish.jpg",220,233,false]},"uagb_author_info":{"display_name":"Helmut 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