{"id":8016,"date":"2022-09-27T09:52:05","date_gmt":"2022-09-27T07:52:05","guid":{"rendered":"https:\/\/musicainfotemp.kinsta.cloud\/blog-site\/2022\/09\/27\/wasbe-conference-prague-une-retrospective\/"},"modified":"2023-01-08T18:07:52","modified_gmt":"2023-01-08T17:07:52","slug":"wasbe-conference-prague-une-retrospective","status":"publish","type":"post","link":"https:\/\/musicainfo.blog\/fr\/wasbe-conference-prague-une-retrospective\/","title":{"rendered":"WASBE-Conference Prague &#8211; une r\u00e9trospective"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>En juillet 2022, une rencontre de fanfares d&#8217;un genre particulier a de nouveau eu lieu. La WASBE-Conference \u00e0 Prague a pr\u00e9sent\u00e9 une d\u00e9monstration de la musique symphonique pour instruments \u00e0 vent avec des orchestres du monde entier. Apr\u00e8s tant d&#8217;ann\u00e9es d&#8217;absence de la Corona, c&#8217;\u00e9tait un plaisir de retrouver des amis d&#8217;autrefois, jeunes et vieux. De parler m\u00e9tier, de bavarder, d&#8217;aller aux concerts et de discuter des repr\u00e9sentations. Bien s\u00fbr, il ne fallait pas oublier de manger et de boire, la cuisine tch\u00e8que \u00e9tant connue pour toutes sortes de sp\u00e9cialit\u00e9s.<\/strong><\/p>\n\n<iframe loading=\"lazy\" title=\"WASBE International Conference Prague 2022 - OFFICIAL VIDEO short version\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/N1C-l-dhnnQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n\n<p class=\"wp-block-paragraph\">Le temps s&#8217;est montr\u00e9 sous son meilleur jour et ceux qui avaient trop chaud l&#8217;apr\u00e8s-midi se sont r\u00e9fugi\u00e9s dans les salles fra\u00eeches des s\u00e9minaires ou dans la salle d&#8217;exposition o\u00f9 \u00e9taient repr\u00e9sent\u00e9es des maisons d&#8217;\u00e9dition, des organisations et m\u00eame notre association avec la base de donn\u00e9es musicainf.net sur les partitions.<\/p>\n\n<p class=\"wp-block-paragraph\">Alexandra Link a dress\u00e9 une liste tr\u00e8s claire de ce qui vaut la peine d&#8217;\u00eatre entendu, vu et mentionn\u00e9 sur son blog consacr\u00e9 \u00e0 la musique pour instruments \u00e0 vent. En tant que sp\u00e9cialiste, elle est plus comp\u00e9tente que nous en la mati\u00e8re, raison pour laquelle je renonce \u00e0 faire un commentaire sur la WASBE-Conference. Veuillez lire (en allemand) :<\/p>\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/blasmusikblog.com\/wasbe-konferenz-in-prag-der-kompositionswettbewerb-und-was-sonst-noch-wichtig-war\/\">Le concours de composition et ce qui \u00e9tait encore important<\/a><\/p>\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/blasmusikblog.com\/wasbe-konferenz-in-prag-meine-ersten-erkenntnisse-und-die-vortraege\/\">Premi\u00e8res constatations et les conf\u00e9rences<\/a><\/p>\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/blasmusikblog.com\/wasbe-konferenz-in-prag-die-konzerte-und-aufgefuehrten-werke\/\">Les concerts et les \u0153uvres interpr\u00e9t\u00e9es<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WASBE-Conferenze 2022 : tout ce qui vaut la peine d&#8217;\u00eatre entendu, vu et mentionn\u00e9.<\/p>\n","protected":false},"author":512,"featured_media":8011,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[137],"tags":[664,663],"class_list":["post-8016","post","type-post","status-publish","format-standard","has-post-thumbnail","category-evenements","tag-prague-fr","tag-wasbe-fr"],"uagb_featured_image_src":{"full":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"thumbnail":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo-150x150.jpg",150,150,true],"medium":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"medium_large":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"large":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"1536x1536":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"2048x2048":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"td_0x420":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"td_80x60":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",73,60,false],"td_150x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",150,124,false],"td_218x150":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",182,150,false],"td_300x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"td_324x400":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"td_485x360":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"td_696x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"td_1068x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false],"td_1920x0":["https:\/\/musicainfo.blog\/wp-content\/uploads\/2022\/09\/WASBE_Logo.jpg",240,198,false]},"uagb_author_info":{"display_name":"Helmut Schwaiger","author_link":"https:\/\/musicainfo.blog\/fr\/author\/heli\/"},"uagb_comment_info":0,"uagb_excerpt":"WASBE-Conferenze 2022 : tout ce qui vaut la peine d'\u00eatre entendu, vu et mentionn\u00e9.","_links":{"self":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/8016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/users\/512"}],"replies":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/comments?post=8016"}],"version-history":[{"count":1,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/8016\/revisions"}],"predecessor-version":[{"id":8017,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/8016\/revisions\/8017"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/media\/8011"}],"wp:attachment":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/media?parent=8016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/categories?post=8016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/tags?post=8016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}