{"id":6502,"date":"2021-07-11T18:55:02","date_gmt":"2021-07-11T16:55:02","guid":{"rendered":"https:\/\/musicainfotemp.kinsta.cloud\/blog-site\/2021\/07\/11\/un-don-quichotte-de-notre-temps-est-mort\/"},"modified":"2021-09-03T13:37:56","modified_gmt":"2021-09-03T11:37:56","slug":"un-don-quichotte-de-notre-temps-est-mort","status":"publish","type":"post","link":"https:\/\/musicainfo.blog\/fr\/un-don-quichotte-de-notre-temps-est-mort\/","title":{"rendered":"Un Don Quichotte de notre temps est mort."},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"261\" src=\"https:\/\/fr.musicainfo.blog\/wp-content\/uploads\/2021\/07\/Halffter.gif\" alt=\"\" class=\"wp-image-6498\"\/><figcaption><small>Photo: buscabiografias.com<\/small><\/figcaption><\/figure><\/div>\n\n<p class=\"wp-block-paragraph\"><strong>&#8230;c&rsquo;est le titre du <a href=\"https:\/\/www.faz.net\/aktuell\/feuilleton\/buehne-und-konzert\/zum-tod-des-komponisten-cristobal-halffter-17356186.html\">rapport sur le d\u00e9c\u00e8s<\/a> du compositeur espagnol Cristobal Halffter dans le Frankfurter Allgemeine Zeitung. Halffter \u00e9tait l&rsquo;un des plus importants compositeurs espagnols actuels, qui &#8211; bien que son curriculum vitae soit celui d&rsquo;un cosmopolite &#8211; \u00e9tait attach\u00e9 \u00e0 sa patrie espagnole dans ses \u0153uvres et activit\u00e9s.<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\">En 1930, Halffter, qui a \u00e9galement des anc\u00eatres allemands, est n\u00e9 \u00e0 Madrid. Son grand-p\u00e8re Ernesto Halffter Hein (n\u00e9 Ernst Albert Halffter) \u00e9tait bijoutier et venait de K\u00f6nigsberg. Ses oncles Ernesto et Rodolfo Halffter \u00e9taient \u00e9galement des compositeurs respect\u00e9s. Il passe une partie de son enfance en Allemagne ; de 1936 \u00e0 1939, il vit \u00e0 Velbert, o\u00f9 son p\u00e8re est directeur d&rsquo;usine. De 1939 \u00e0 1951, Halffter a \u00e9tudi\u00e9 le piano, la th\u00e9orie musicale, l&rsquo;harmonie et la composition \u00e0 Madrid, entre autres en tant qu&rsquo;\u00e9l\u00e8ve priv\u00e9 de Conrado del Campo.<\/p>\n\n<p class=\"wp-block-paragraph\">La premi\u00e8re composition de Halffter en technique dod\u00e9caphonique, <em>Cinq microformes pour orchestre<\/em>, a fait scandale \u00e0 Madrid en 1960. N\u00e9anmoins, en 1961, il est nomm\u00e9 professeur de composition et de th\u00e9orie formelle au Real Conservatorio Superior de M\u00fasica de Madrid. De 1964 \u00e0 1966, il a \u00e9t\u00e9 directeur de cet institut. En d\u00e9saccord avec les m\u00e9thodes archa\u00efques de p\u00e9dagogie musicale de cet institut, il se met en cong\u00e9 de ses fonctions d&rsquo;enseignant. Cette d\u00e9cision a \u00e9galement \u00e9t\u00e9 motiv\u00e9e par le fait qu&rsquo;il s&rsquo;est tourn\u00e9 vers le travail cr\u00e9atif en mati\u00e8re de direction d&rsquo;orchestre et de composition. Il a re\u00e7u des bourses de la Fondation Ford pour l&rsquo;Am\u00e9rique et du DAAD pour Berlin.<\/p>\n\n<p class=\"wp-block-paragraph\">Crist\u00f3bal Halffter est mort \u00e0 Ponferrada le 23 mai. Il a v\u00e9cu jusqu&rsquo;\u00e0 l&rsquo;\u00e2ge de 91 ans.\u00a0 Voici une <a href=\"https:\/\/fr.musicainfo.net\/ergebnis.php?kat=2&amp;com=%22Halffter%2C+Cristobal%22\">liste<\/a> de ses \u0153uvres.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;c&rsquo;est le titre du rapport sur le d\u00e9c\u00e8s du compositeur espagnol Cristobal Halffter dans le Frankfurter Allgemeine Zeitung. Halffter \u00e9tait l&rsquo;un des plus importants compositeurs espagnols actuels, qui &#8211; bien que son curriculum vitae soit celui d&rsquo;un cosmopolite &#8211; \u00e9tait attach\u00e9 \u00e0 sa patrie espagnole dans ses \u0153uvres et activit\u00e9s. En 1930, Halffter, qui a [&hellip;]<\/p>\n","protected":false},"author":512,"featured_media":6498,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[100,99],"tags":[500,263],"class_list":["post-6502","post","type-post","status-publish","format-standard","has-post-thumbnail","category-compositeur","category-deces-et-honneurs","tag-espagne","tag-musique-contemporaine"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un Don Quichotte de notre temps est mort. - musicainfo.blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/musicainfo.blog\/fr\/un-don-quichotte-de-notre-temps-est-mort\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un Don Quichotte de notre temps est mort. - musicainfo.blog\" \/>\n<meta property=\"og:description\" content=\"&#8230;c&rsquo;est le titre du rapport sur le d\u00e9c\u00e8s du compositeur espagnol Cristobal Halffter dans le Frankfurter Allgemeine Zeitung. 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Schwaiger","author_link":"https:\/\/musicainfo.blog\/fr\/author\/heli\/"},"uagb_comment_info":0,"uagb_excerpt":"&#8230;c&rsquo;est le titre du rapport sur le d\u00e9c\u00e8s du compositeur espagnol Cristobal Halffter dans le Frankfurter Allgemeine Zeitung. Halffter \u00e9tait l&rsquo;un des plus importants compositeurs espagnols actuels, qui &#8211; bien que son curriculum vitae soit celui d&rsquo;un cosmopolite &#8211; \u00e9tait attach\u00e9 \u00e0 sa patrie espagnole dans ses \u0153uvres et activit\u00e9s. En 1930, Halffter, qui a\u2026","_links":{"self":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/6502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/users\/512"}],"replies":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/comments?post=6502"}],"version-history":[{"count":2,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/6502\/revisions"}],"predecessor-version":[{"id":6817,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/6502\/revisions\/6817"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/media\/6498"}],"wp:attachment":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/media?parent=6502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/categories?post=6502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/tags?post=6502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}