{"id":5356,"date":"2020-09-02T17:13:58","date_gmt":"2020-09-02T15:13:58","guid":{"rendered":"https:\/\/musicainfotemp.kinsta.cloud\/blog-site\/2020\/09\/02\/un-morceau-tranquille-de-l-histoire-du-violon\/"},"modified":"2020-09-02T17:14:01","modified_gmt":"2020-09-02T15:14:01","slug":"un-morceau-tranquille-de-l-histoire-du-violon","status":"publish","type":"post","link":"https:\/\/musicainfo.blog\/fr\/un-morceau-tranquille-de-l-histoire-du-violon\/","title":{"rendered":"Un morceau tranquille de l&rsquo;histoire du violon"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Ferdinand David \u00e9tait un ami proche de Mendelssohn et \u00e9tait \u00e0 l&rsquo;\u00e9poque premier violon de l&rsquo;orchestre du Gewandhaus de Leipzig. En 1938, le compositeur propose \u00e0 son ami un concerto pour violon, qui est con\u00e7u la m\u00eame ann\u00e9e. Cependant, il a fallu encore six ans pour le terminer et il n&rsquo;a \u00e9t\u00e9 cr\u00e9\u00e9 qu&rsquo;en 1845. Pendant cette p\u00e9riode, Mendelssohn entretient une correspondance r\u00e9guli\u00e8re avec David et lui demande conseil sur ce concerto.<\/strong><\/p>\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mendelssohn: Violin-Concerto e-minor - II: Andante\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/aQjNEfPiYyA?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<p class=\"wp-block-paragraph\">L&rsquo;\u0153uvre elle-m\u00eame a \u00e9t\u00e9 l&rsquo;un des premiers concertos pour violon de la p\u00e9riode romantique et a influenc\u00e9 les compositions de nombreux autres compositeurs. Bien que le concerto se compose de trois mouvements dans une structure standard rapide-lent-rapide et que chaque mouvement suive une forme traditionnelle, le concerto \u00e9tait novateur et contenait de nombreuses caract\u00e9ristiques nouvelles pour l&rsquo;\u00e9poque. Parmi les aspects caract\u00e9ristiques du concerto figurent l&rsquo;utilisation imm\u00e9diate du violon au d\u00e9but de l&rsquo;\u0153uvre et la connexion des trois mouvements \u00e0 chaque mouvement suivant imm\u00e9diatement le pr\u00e9c\u00e9dent.<\/p>\n\n<p class=\"wp-block-paragraph\">Peu apr\u00e8s sa cr\u00e9ation, ce concerto pour violon est devenu tr\u00e8s populaire et est toujours consid\u00e9r\u00e9 comme l&rsquo;une des plus grandes \u0153uvres de tous les temps pour ce genre. Le Concerto a acquis la r\u00e9putation d&rsquo;un concerto indispensable que tous les aspirants violonistes de concert doivent ma\u00eetriser, et c&rsquo;est g\u00e9n\u00e9ralement l&rsquo;un des premiers concertos de la p\u00e9riode romantique qu&rsquo;ils apprennent. De nombreux violonistes professionnels ont enregistr\u00e9 le concerto, et l&rsquo;\u0153uvre est r\u00e9guli\u00e8rement jou\u00e9e lors de concerts et de concours de musique classique. <\/p>\n\n<p class=\"wp-block-paragraph\">Dans cette transcription de l'\u00a0\u00bb<a href=\"https:\/\/fr.musicainfo.net\/detail.php?kat=2&amp;artnr=4111213\">Andante<\/a>\u00a0\u00bb (2\u00e8me mouvement) de Gerard Posch, la partie soliste du violon est accompagn\u00e9e par un ensemble \u00e0 vent. Le mouvement a une forme ternaire et rappelle les \u00ab\u00a0Chants sans paroles\u00a0\u00bb de Mendelssohn. Le th\u00e8me de la section centrale plus sombre en la mineur est d&rsquo;abord introduit par l&rsquo;orchestre, avant que le violon ne reprenne simultan\u00e9ment la m\u00e9lodie et l&rsquo;accompagnement. L&rsquo;accompagnement tremblant exige du soliste une dext\u00e9rit\u00e9 agile avant que la musique ne revienne au th\u00e8me principal lyrique en do majeur, qui cette fois-ci m\u00e8ne \u00e0 une conclusion joyeuse.<\/p>\n\n<p class=\"wp-block-paragraph\">L'\u00a0\u00bbAndante\u00a0\u00bb pour violon et vents est une pi\u00e8ce calme dans laquelle le violon est mis en valeur. Publi\u00e9 par <strong>Baton Music<\/strong>, Pays-Bas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ferdinand David \u00e9tait un ami proche de Mendelssohn et \u00e9tait \u00e0 l&rsquo;\u00e9poque premier violon de l&rsquo;orchestre du Gewandhaus de Leipzig. En 1938, le compositeur propose \u00e0 son ami un concerto pour violon, qui est con\u00e7u la m\u00eame ann\u00e9e. Cependant, il a fallu encore six ans pour le terminer et il n&rsquo;a \u00e9t\u00e9 cr\u00e9\u00e9 qu&rsquo;en 1845. [&hellip;]<\/p>\n","protected":false},"author":512,"featured_media":5350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[133,176],"tags":[],"class_list":["post-5356","post","type-post","status-publish","format-standard","has-post-thumbnail","category-nouvelles-publications","category-partition"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un morceau tranquille de l&#039;histoire du violon - musicainfo.blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/musicainfo.blog\/fr\/un-morceau-tranquille-de-l-histoire-du-violon\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un morceau tranquille de l&#039;histoire du violon - musicainfo.blog\" \/>\n<meta property=\"og:description\" content=\"Ferdinand David \u00e9tait un ami proche de Mendelssohn et \u00e9tait \u00e0 l&rsquo;\u00e9poque premier violon de l&rsquo;orchestre du Gewandhaus de Leipzig. En 1938, le compositeur propose \u00e0 son ami un concerto pour violon, qui est con\u00e7u la m\u00eame ann\u00e9e. Cependant, il a fallu encore six ans pour le terminer et il n&rsquo;a \u00e9t\u00e9 cr\u00e9\u00e9 qu&rsquo;en 1845. 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Schwaiger","author_link":"https:\/\/musicainfo.blog\/fr\/author\/heli\/"},"uagb_comment_info":0,"uagb_excerpt":"Ferdinand David \u00e9tait un ami proche de Mendelssohn et \u00e9tait \u00e0 l&rsquo;\u00e9poque premier violon de l&rsquo;orchestre du Gewandhaus de Leipzig. En 1938, le compositeur propose \u00e0 son ami un concerto pour violon, qui est con\u00e7u la m\u00eame ann\u00e9e. Cependant, il a fallu encore six ans pour le terminer et il n&rsquo;a \u00e9t\u00e9 cr\u00e9\u00e9 qu&rsquo;en 1845.\u2026","_links":{"self":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/5356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/users\/512"}],"replies":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/comments?post=5356"}],"version-history":[{"count":1,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/5356\/revisions"}],"predecessor-version":[{"id":5357,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/5356\/revisions\/5357"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/media\/5350"}],"wp:attachment":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/media?parent=5356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/categories?post=5356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/tags?post=5356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}