{"id":3989,"date":"2019-11-20T16:40:09","date_gmt":"2019-11-20T15:40:09","guid":{"rendered":"https:\/\/musicainfotemp.kinsta.cloud\/blog-site\/2019\/11\/20\/vienne-fetee-tandis-qu-un-drame-se-terminait-a-stalingrad\/"},"modified":"2019-11-20T16:40:09","modified_gmt":"2019-11-20T15:40:09","slug":"vienne-fetee-tandis-qu-un-drame-se-terminait-a-stalingrad","status":"publish","type":"post","link":"https:\/\/musicainfo.blog\/fr\/vienne-fetee-tandis-qu-un-drame-se-terminait-a-stalingrad\/","title":{"rendered":"Vienne f\u00eat\u00e9e, tandis qu’un drame se terminait \u00e0 Stalingrad."},"content":{"rendered":"\n

Le 19 novembre 1942, les Russes lanc\u00e8rent une offensive de grande envergure en forme de pince \u00e0 Stalingrad, au nord-ouest et au sud de la ville. Ce n’est que trois jours plus tard que l’attaque a conduit \u00e0 l’internement de l’ensemble de la 6e Arm\u00e9e ainsi que de certaines parties de la 4e Arm\u00e9e. A cette \u00e9poque, Strauss passa l’hiver \u00e0 Vienne. En 1942, le ch\u0153ur de trompettes de la ville de Vienne lui demande d’\u00e9crire une pi\u00e8ce pour eux. Il s’agissait d’un ensemble c\u00e9l\u00e8bre compos\u00e9 de la section des cuivres des trois orchestres symphoniques de Vienne et comprenant douze trompettes, huit trombones, deux tubas, des timbales et des percussions.<\/strong><\/p>\n\n

Ainsi, tandis que certains se battaient pour leur survie, la ville de Vienne c\u00e9l\u00e9brait une f\u00eate triomphante. Le 9 avril 1943, le Festival de musique pour cuivres de la ville de Vienne<\/em> est cr\u00e9\u00e9 avec le ch\u0153ur de trompettes de Vienne.<\/p>\n\n

\"\"<\/figure><\/div>\n\n

Strauss divisa ces forces pour sa pi\u00e8ce presque \u00e9galement en deux choeurs, mais exclut les percussions. L’\u0153uvre commence par le motif principal, qui se m\u00eale \u00e0 un appel en fanfare, les deux ch\u0153urs r\u00e9agissant l’un \u00e0 l’autre. Le deuxi\u00e8me ch\u0153ur pr\u00e9sente une version plus martiale du th\u00e8me, qui est d\u00e9velopp\u00e9e dans son dialogue. Un deuxi\u00e8me motif nostalgique, rappelant \u00ab\u00a0Der Rosenkavalier\u00a0\u00bb, m\u00e8ne \u00e0 une section brillante. Un bref crescendo conduit \u00e0 une r\u00e9capitulation du premier motif. Dans la derni\u00e8re section, les deux ch\u0153urs sont r\u00e9unis dans un r\u00e9sum\u00e9 choral des th\u00e8mes, qui se termine par une passionnante coda.<\/p>\n\n

Maintenant, bien s\u00fbr, on peut avoir un regard critique sur les \u0153uvres de cette p\u00e9riode. Mais il ne faut pas ignorer le pouvoir musical de Richard Strauss. A l’occasion du 70e anniversaire de sa mort<\/strong> – il est d\u00e9c\u00e9d\u00e9 le 8 septembre 1949 \u00e0 Garmisch-Partenkirchen – nous voudrions attirer particuli\u00e8rement l’attention sur sa musique festive, qui peut \u00eatre jou\u00e9e ici et l\u00e0 pour une occasion festive. Un texte explicatif critique de l’\u00e9poque peut expliquer les liens tragiques.<\/p>\n\n

Festmusik der Stadt Wien<\/a> Quiconque s’\u00e9tonne qu’il existe des \u00e9ditions d’une dur\u00e9e d’environ deux minutes et une d’une dur\u00e9e de 12 minutes devrait noter que les \u0153uvres courtes comprennent la fanfare de la Festmusik, tandis que l’\u0153uvre longue comprend la composition enti\u00e8re.<\/p>\n\n

Fanfare philharmonique de Vienne<\/a><\/p>\n\n

D’autres \u0153uvres pour orchestre \u00e0 vent<\/a><\/p>\n\n

Oeuvres pour orchestre\/orchestre de chambre<\/a><\/p>\n\n

Compositions pour Ensemble<\/a><\/p>\n\n

Compositions pour ch\u0153ur<\/a><\/p>\n\n

–<\/p>\n","protected":false},"excerpt":{"rendered":"

Le 19 novembre 1942, les Russes lanc\u00e8rent une offensive de grande envergure en forme de pince \u00e0 Stalingrad, au nord-ouest et au sud de la ville. Ce n’est que trois jours plus tard que l’attaque a conduit \u00e0 l’internement de l’ensemble de la 6e Arm\u00e9e ainsi que de certaines parties de la 4e Arm\u00e9e. A […]<\/p>\n","protected":false},"author":512,"featured_media":3984,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[144,118,108],"tags":[548,549],"class_list":["post-3989","post","type-post","status-publish","format-standard","has-post-thumbnail","category-compositeur-fr","category-musiknoten-fr","category-preconisations","tag-seconde-guerre-mondiale","tag-vienne"],"yoast_head":"\nVienne f\u00eat\u00e9e, tandis qu'un drame se terminait \u00e0 Stalingrad. - musicainfo.blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/musicainfo.blog\/fr\/vienne-fetee-tandis-qu-un-drame-se-terminait-a-stalingrad\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vienne f\u00eat\u00e9e, tandis qu'un drame se terminait \u00e0 Stalingrad. - musicainfo.blog\" \/>\n<meta property=\"og:description\" content=\"Le 19 novembre 1942, les Russes lanc\u00e8rent une offensive de grande envergure en forme de pince \u00e0 Stalingrad, au nord-ouest et au sud de la ville. 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Schwaiger","author_link":"https:\/\/musicainfo.blog\/fr\/author\/heli\/"},"uagb_comment_info":0,"uagb_excerpt":"Le 19 novembre 1942, les Russes lanc\u00e8rent une offensive de grande envergure en forme de pince \u00e0 Stalingrad, au nord-ouest et au sud de la ville. Ce n’est que trois jours plus tard que l’attaque a conduit \u00e0 l’internement de l’ensemble de la 6e Arm\u00e9e ainsi que de certaines parties de la 4e Arm\u00e9e. A\u2026","_links":{"self":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/3989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/users\/512"}],"replies":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/comments?post=3989"}],"version-history":[{"count":1,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/3989\/revisions"}],"predecessor-version":[{"id":3990,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/posts\/3989\/revisions\/3990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/media\/3984"}],"wp:attachment":[{"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/media?parent=3989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/categories?post=3989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicainfo.blog\/fr\/wp-json\/wp\/v2\/tags?post=3989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}